How to gather? Acting in a Center in a City in the Heart of the Island of Eurasia

Under challenging circumstances, the Moscow Biennale of Contemporary Art opts for a radical format and changes its structure: the biennale will be condensed into ten days. Artistic, discursive and reflective moments will shape the space. Located in the Pavilion No.1 of VDNKh, it is here that the Moscow Biennale will evolve, as a think tank in real time.

Biennale: Sept 22 - Oct 1, 2015
Documentary exhibition project: Oct 3 - Oct 11, 2015

Suchan kinoshita 15

Kinoshita, Suchan

°1960
Born in Tokyo, JP
Lives in Brussels, BE

Before her career as an artist, Suchan Kinoshita, the child of a German mother and Japanese father, worked in the theatre as actor, director and set builder. These experiences informed her views, as an artist, on the role of the spectator as an active observer and the multiple and individual interpretation of a work of art. Kunoshita’s works of art unfold in the course of time, as dynamic processes in which the personal relationship between the spectator and the work take shape. The place and time of the presentation play an important part. As far as she is concerned, static depictions and representations of ‘something else’ are only a distraction. Kinoshita's mixed background and her experience in multiple artistic disciplines are clearly visible in her work, in which she looks for boundaries, transgresses them, and ignores them. One theme that Kinoshita regularly addresses is the experience of time and space. Important here are both the different conceptions of time and space in the two cultures in which she is rooted, as well as the different ways in which time and space are employed and depicted in the disciplines of theatre, music and visual art. She combines the process-based approach of theatre and music with the generally more static nature of visual art.

'To Whom It May Concern', different contributions for different moments during the ten days of Moscow.

Credits (c)image: M HKA